Get ready for a lot of pictures! I will apologize in advance, but I just had so much fun making this quilt and I couldn’t decide which photos to keep.
So, as I mentioned in my “quilt top” post for this one, I made this little quilt as a class example for next week’s Sewing Summit in Salt Lake City. Kati and I are going to be teaching Shapes and Angles and will be going over partial seams, y-seams (via hexagons), equilateral triangles and diamonds.
I designed this quilt using 3 types of star blocks that all incorporate partial seams, and then little wonky stars to fill in the spaces. The pieced blocks range in size from 6″ to 18″. The 12″ star is the Another Star block from my Solstice Stars Series. Except instead of making it the “cheating way” that I show in the tutorial (minus the partial seams), I do it the “correct way” (with the partial seams).
I decided to use about 5 shades of tan, just from my stash, for the backgrounds. A few months ago I was itching to add some neutrals to my stash to have on hand for projects like this. I pulled out my solid color cards and just ordered 1/2 yard to 1 yard of a bunch of Free Spirit, Kona and Bella neutrals. I asked the shops to label them for me because I knew once they arrived it would be a bit tricky to figure out exactly what they were.
The prints in this quilt are almost all by Denyse Schmidt – specifically her Chicopee line…I think I’ve mentioned how much I love it, yes? I hope you aren’t sick of seeing me use it yet, I’m sure I’m not done!
I mixed in some of Denyse’s fabric that she sells at JoAnns and also a print from Anna Maria Horner’s old Good Folks line because I wanted some more greens in there. I’m officially out of the one print I used, kind of makes me sad but I’m happy I was able to use it in a project that I love.
This quilt is 36″ x 48″. I didn’t want to make it huge because I really don’t want to check a bag going to SLC. I am thinking of making this into a pattern and if I do that, it will likely be larger.
I struggle with writing patterns with scrappy piecing because it gets confusing when figuring out fabric requirements. When you make a pattern, are you ok with seeing fabric requirements that say “xyz yards total in a mix of prints” rather than having each amount of scrap prints spelled out? I’m going to think on it for awhile.
I quilted this with straight lines, about 1/2″ apart. The backing is another one of Denyse Schmidt’s prints from JoAnns.
Those going to the Sewing Summit, I can’t wait to see you all next week! I hope if you see me you will come up and introduce yourself. Trust me, I know how it can be scary to meet new people. Believe it or not I can be pretty shy (except for teaching for some reason). For those staying home this time, I will try to take a lot of photos to share when I get back. I still have one more quilt I’m hoping to finish for another class example – fingers crossed!
October 4, 2012 52 Comments
I’ve been waiting to share this quilt with you for months! Back when I was making the two quilts for Spring Quilt Market, I was lucky enough to also have the opportunity to make a quilt for the Fall 2012 Issue of Scrap Quilts by Fons & Porter…at the same time. During those weeks, I thought I was nuts for signing on to make 3 quilts in 3 weeks, but looking back it was completely worth it!
The Island Girl Quilt is made from a beautiful collection of Cotton Supreme Solids by RJR Fabrics. I had never used these fabrics before and I was very happy with them. Very soft and tons of colors available. I just did a bit of searching on Google to see where you can buy some now.
See this blog post for color names from the above photo
The blocks consist of a light, medium and dark shade of each color. The pattern has some tips on how to sew your fabrics to make the blocks go together a lot quicker than you might think.
I’ve spotted the magazine out in the wild already (at my local book store).
I hope you will check it out!
October 2, 2012 34 Comments
This is a quilt I’ve been wanting to make for a long time. I wasn’t sure what the design would end up being, what fabric I would use…but I knew I wanted to make a quilt for my little girl’s bed. I feel a tad bit guilty that although I’m a quilter, the quilts on my kid’s beds are store bought. Well now at least one is handmade by mommy.
I started this quilt earlier this summer and planned to make a couple blocks a week. I sized each block at 17.5″ x 17.5″ unfinished so I would only need to make 20 for a twin sized quilt. My block progress stalled for awhile but when I went up to Holly’s for the weekend in July I finished them up.
Of course it took me a bit longer to make the back, baste and quilt. But I’m really happy with the results! The quilt is centered around Sarah Jane Studios’ Children at Play fabric line (one of my all time favorites).
I incorporated a lot of blenders from my stash. There’s really a little bit of everything in here – Patty Young’s Lush Running Stitch, Lizzy House’s Pearl Bracelets, Laurie Wisbrun’s Modern Whimsy circles, some Art Gallery Oval Elements, dots from Heather Ross Lightening Bugs, some of the new stripes from Cloud 9’s Simpatico, some of the yellow Henna Garden by Sandi Henderson, a yellow print from Maude Asbury’s Kitchy Kitchen…plus some of the Children at Play blenders.
I didn’t follow a pattern for the blocks. I just started cutting the center squares and then pulled fabric and worked my way out from the center using different widths for each ring until I reached my goal size. I tried to follow a few rules for my blocks, such as each uses either 3 or 4 fabrics, no more, no less.
One of my favorite parts of this quilt is the back. I decided to incorporate the Parade print from Children at Play. I wanted the print to show across the quilt when it was folded down on her bed.
My poor husband, this quilt was SO big to hold up!
That meant the print needed to be upside down on the back. I added a bit of patchwork above and below. The solid pink is Michael Miller Cotton Couture in Blossom – SO wonderful.
I wanted this quilt to be nice and soft so I quilted it in a grid with horizontal and vertical lines, about 2″ apart.
I love how the quilt compliments her room. She clearly loves it as well!
I know there will be a time in the future (probably way too soon!) where she outgrows this quilt and doesn’t want it on her bed anymore. But I’m hoping it will always hold a special place in her heart and she will maybe even let her own little girls cuddle under it one day.
September 24, 2012 72 Comments
I finished my Quilt Camp Poinsettia Pillow last week! This pillow (or mini quilt if you’d like) is the project I’m teaching at Quilt Camp in December. The individual block is a design by Nancy Cabot (1937) called Miller’s Daughter. I shrunk the block down in size, pieced 4 and added a border to make an 18″ pillow.
I quilted this pillow with straight lines, 1/4″ on each side of the diagonal seams (and beyond into the sashing). The fabric is mostly Denyse Schmidt’s latest line Chicopee which I’m officially in love with.
I also worked in a bit of her lines for JoAnns Fabric and a print from Anna Maria Horner’s discontinued line Good Folks. (I needed some green.) The neutrals are Art Gallery Fabrics Linen White and Free Spirit Design Solid Sand Dune.
The back of the pillow is a simple envelope enclosure. I bound my pillow just like I would a quilt, so I can either use it on my couch, or hang it on my wall as a mini quilt.
At my class in Quilt Camp, we will work on paper piecing the corners of each of these blocks and then piecing together the rest of the block. It is a great project for those that are new to paper piecing and/or want tips on precision piecing and getting everything to line up just right. There are still some spaces left for Quilt Camp. Check out my post from a few days ago for all the details and the link to sign up!
September 11, 2012 15 Comments